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Welcome to Pfefferkorn: a countryside studio hidden inside a former 1950s café. The stylish interior stayed, the cake display is gone, but the mountain panorama is still very much in place. Out of this unlikely combination came Obsolescence, Feater's new album and a record that wasn't supposed to happen, but insisted on doing so anyway. Originally, Pfefferkorn hosted a merry-go-round of guests and genres: jazz, kraut, pop, experiments, even the occasional field recording. Among the many, Mara Oldofredi aka Mietze Conte became the most frequent and inspiring visitor. Their sessions set sparks, and one of them, "Trio," landed directly on the album. The method? Call it instant archaeology: live jams on two-track tape, then pushed through edits, resampling, Fairlight IIX sorcery, and endless tape-laptop relays. Quick, raw, and without too much overthinking, more sketch than sculpture, more instinct than intent. The result is Obsolescence, a record born out of detours, made for personal delight, and proof that side products can be main courses if you let them.
A1. Peace & Happy_x000D_
A2. UheR_x000D_
A3. Pro Bono_x000D_
B1. Trio_x000D_
B2. Caramelli_x000D_
B3. Running Out_x000D_
B4. Obsolescence_x000D_
B5. Voco